This series looks at the desert as a study of form rather than a specific place. By isolating the lines of the dunes, the light, and the texture of the sand, the landscape is stripped down to curves and shadows. Without a horizon or any sense of scale, these shapes become almost abstract, at times resembling folded fabric, the contours of a body, or faint brushstrokes across a dark surface.
I wanted to explore how something that appears monumental is, in reality, completely temporary. Wind and light constantly reshape the dunes; a contour exists only briefly before becoming something else. Within that continuous movement, everything seems to slow down. These images are about that quieter rhythm, where simple forms emerge from empty space and silence becomes an active part of the composition.
